President Hinckley first hinted of a new assembly hall in April 1996 general conference, with the groundbreaking on Pioneer Day the following year. Digging into the hillside resulted in a massive building and parking edifice of 1.5 million square feet that still fits under the city zoning's 75-foot height restriction. Ultimately, the church ended up with its own architecturally renowned design on a full, 10-acre downtown block.
Nothing offering the size and seating was found. Officials were sent scouring the world for possible prototypes as he mused about domed arenas and capacities of upwards of 30,000 and more.
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Hinckley during the early 1990s, as he worried how to drastically increase the typical conference-session capacity of 6,000 to 7,000 in the historic Salt Lake Tabernacle. The current Conference Center resulted from the prolonged ponderings of then-LDS Church President Gordon B. In the 1940s, church leaders considered an assembly building - with 10,000 main-floor seats and another 9,000 in a balcony - that would double in providing the arts and amusement offerings of the old Salt Lake Theater and Social Hall. "We could go from stem to stern about the various aspects of the building," Bishop Burton said, "but it was a prophetic vision, founded out of years of concern that Latter-day Saints have an opportunity to attend and participate in general conference." David Burton's responsibilities include oversight of church properties and facilities, and he has watched the 21,000-seat Conference Center grow from concept, announcement and ground breaking to construction, completion and function. Maybe the topic would be the wide range of events held there over the past 10 years, including elaborate productions, musical performances, religious programs and even a barbershop-quartet convention.īut the first and foremost purpose is found in its name - as the 21,000-seat venue hosting the semiannual general conferences of The Church of Jesus Christ of Latter-day Saints. Or perhaps the trivial - that a Boeing 747 jet could easily fit inside the massive main assembly hall. Others may focus on its unique features, such as the roof top gardens and multi-acre meadow. Doesn't matter if you insert a rectangular element inside a canvas that has a lot of white space around, on the web when you link an svg file, that white space of the canvas will be transparent because is not really there.īonus: use to simplify the path of your svg to the essential piece of text.SALT LAKE CITY - As the LDS Conference Center embarks on its second decade, some may talk of what it might have been - a massive domed arena - or of its lesser-known amenities, like the collection of wood, welding and machine shops and the adjoining 900-seat theater. Use from and now and always the file created to insert all the shape that you want inside that "0 0 100 100" proportion. You can do it in different ways, the important is that you keep the proportion of all the elements. Group the elements and FIT THE OBJECT TO THE ARTBOARD (not viceversa). svg extension.Ģ) Avoid to use real text font inside an illustrator file, "expand" them so that they will be vector and can be resized without a problem (if the OS doesn't have that font, it will render a font of the system).ģ) Open in illustrator the file, and copy and paste your work. Working in square as metric is easier.ġ) Create an empty field via text editor with "0 0 100 100" value (that will be your standard file that you'll open from now and on). So you might want to have a viewbox that is square shaped more than rectangular, something like "0 0 32 32" or "0 0 100 100" so that you can move the SVG element around and resizing by just modifing via text editor the SVG rather than from Illustrator.Įven because if you resize the element just in height, still will be limited by its max width.
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Illustrator add a lot of nonsensical code that I prefer not to have in my SVG files, I use it only when I need to shape a "path" that I need to use.įirst of all having a decent viewbox number helps a lot when dealing with SVG elements. I know that this is not exactly the answer that you want, but I work mostly with SVG limiting his use with Illustrator because you can work easily directly with text. You can test this with any svg, but here's a super simple one that is 320 x 240: Note: I do not want to save the svg from Illustrator with the "preserve Illustrator editing capabilities" in the save as svg dialog. Is there a workaround for this that does not involve opening a fake document with the artboard size of the svg, then closing that doc and File > Open the actual svg?
As such, the svg, if not the same size as the previous artboard, is then placed and auto-resized into that artboard. When I try to open an svg file with Illustrator, Illustrator defaults to whatever artboard size was last used when a file was open.
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